Life drawing is at the core of any serious program of fine arts. In these classes, students draw from the figure in pencil, charcoal, including an option of painting. Each drawing or painting is created over a period of sessions, developing the student’s eye for accurate gesture, proportions, and anatomy. With a single sustained pose, students will have the option of either taking one drawing/painting to a high degree of finish or completing several drawings from different positions around the model.

One-day still-life studies

This class will be focused on one-day oil studies of still lifes in color. The student will begin each class with a quick 20-minute sketch of the still life in paint. The remainder of the day will be focused on color mixing, application, and manipulation of paint on the canvas using brushes or palette knives. Each week will be a new still-life setup in order to study new textures, colors and shapes. Studies, especially done in color paint, are the basis of all finished works. This class attempts to give the student more confidence in applying paint to a surface, relieving the fear of making mistakes in paint by making those mistakes and then correcting them. Only through experimentation with application of paint on the canvas do we learn to create different effects. We will also focus on quick adjustments to value, color, and drawing with differing brushes and mixing color on the palette or directly on the canvas. Some experience in drawing is recommended as much of the class will be in paint application and not perfection of drawing skills. All levels are welcome! This class will not be focused on completing a refined, finished piece but for practice, exploration and fun! This class will use only oil paint and not other mediums. Email Cassandra Ronning at cassandra.ronning@gmail.com for questions and suggested supply list.

Students begin by drawing a plaster cast or still life in charcoal, developing their ability to render accurate proportions and value relationships. As students progress, they are introduced to the fundamentals of oil and/or pastel techniques, composition and color.

Students begin by drawing a plaster cast or still life in charcoal, developing their ability to render accurate proportions and value relationships. As students progress, they are introduced to the fundamentals of oil and/or pastel techniques, composition and color.

In this class we will explore how to portray clothed figures and different materials. Learn about underlying anatomy and how it affects folds, characteristics of fabrics and folds, and ways to use your artistic license to select folds and edit what you observe to serve your picture. These are useful things to consider when you need to invent or recreate the look of a costume for a picture.

This 14-week class will be broken into three segments, each with a different costume and pose. Using the sight-size method, students will develop a minimum of three costumed figure studies. Depending on experience, students are welcome to work in pencil, charcoal, or oil paint.

Students begin by drawing a plaster cast or still life in charcoal, developing their ability to render accurate proportions and value relationships. As students progress, they are introduced to the fundamentals of oil and/or pastel techniques, composition and color.

Students will work from a live model in order to produce finished drawings and/or paintings. Students will work in pencil, charcoal, pastels or oils. Capturing a likeness is emphasized. Color and techniques in oil and pastel are covered.

Students begin by drawing a plaster cast or still life in charcoal, developing their ability to render accurate proportions and value relationships. As students progress, they are introduced to the fundamentals of oil and/or pastel techniques, composition and color.