With a live model

During the first session an accurate portrait drawing will be done. The remaining sessions will be applying watercolor to the portrait drawing. There will be instructor demonstrations on the progression of the painting. We will discuss warm/cool colors and light/dark values. The model will keep the same pose throughout the class. Supply list will be sent upon registration.

Friday & Saturday, March 14-15 & 21-22

There is no better time than today to begin documenting your art collection and legacy!

Take this first step and you will sleep better knowing your life’s work, the art you’ve been creating, or collecting for years, is catalogued, valued and protected. This course will guide you to develop a practice that can assist you daily in keeping an organized catalogue of your collections. You will take away a comprehensive plan to move forward with the tools to protect your assets, document your collectibles, and be prepared for unforeseen events. This is a one day hands on workshop with a seasoned arts advisor, avid collector, and art appraiser who draws on her own experiences to share why this is so vitally important. Think of this course as a gift to your future self and the ones you love.

Start your child drawing at The Atelier Studio Program of Fine Arts where they will learn methods for seeing and drawing with information our adult students learn! This program, specially designed for children, moves them through steps to learn how to draw realistically, starting with cartoon characters and progressing to more complex illustrations. This course can be continued just as our adult classes, with students working at their own pace to improve their skills. The use of markers, colored pencils, and paint will be introduced as well as working from a still life. LIMIT 10 children.

Materials: see supply list on website

Start your child drawing at The Atelier Studio Program of Fine Arts where they will learn methods for seeing and drawing with information our adult students learn! This program, specially designed for children, moves them through steps to learn how to draw realistically, starting with cartoon characters and progressing to more complex illustrations. This course can be continued just as our adult classes, with students working at their own pace to improve their skills. The use of markers, colored pencils, and paint will be introduced as well as working from a still life. LIMIT 8 children.

Materials: see supply list on website

Ages: 15 - adult

Two-week portrait studies

This six-week course will have one model for every two weeks giving students the opportunity to work on studies or alla prima paintings. Demonstrations by the instructor will show various ways to start a block-in. Topics such as accurate proportions, perspective, values, and capturing a likeness will be addressed. Students can draw or paint. Color and technique in oil will be covered for those who choose to paint. This is appropriate for all skill levels. Beginners can practice, and those who are advanced can create finished alla prima portraits.

Materials: medium or soft vine charcoal, kneaded eraser, sandpaper block, 11" x 14" or larger charcoal paper, and drawing board (all available at The Atelier’s store). Painters: If you are experienced, bring what you have, including paper towels and a large container with a cover for your Gamsol. If you are new at painting, be prepared to draw the first day and we will discuss what you will eventually need.

Do you want to learn how to create expressive still-life oil paintings in one sitting? This workshop will cover the information you need to learn how to set up, block-in, and finish small, impactful still-life compositions in a short amount of time. As a part of this workshop, Andrew will give demonstrations of the techniques he employs to execute all-prima still lifes covering topics including composition, visual impact, paint handling, color and temperature, light effect, and value. Besides the demonstrations, you will also work on your own compositions which Andrew will help you set up and then will critique throughout the process. This is a three-day workshop. The first two mornings will consist of demonstrations by the instructor. There will be a break for lunch followed by an afternoon session where students will work on their own alla-prima projects. The third day will give students an opportunity to work on their choice of either one or two alla-prima projects throughout the whole day. This workshop is intended to be a low stress and fun experience where students can loosen up, throw paint around, and try to get ideas down on the canvas. All painting ability levels are welcome. The instructor will contact you prior to the workshop to go over the materials list.

Art, Civic Identity, and the Making of the Gates of Paradise

The fifty years Ghiberti spent forging the Baptistery doors stand as a testament to the love and devotion he felt for Florence, where civic pride found its truest expression in the patient beautification of the city itself. This lecture considers the moment the craftsman became an intellectual, witnessed in two self-portraits Ghiberti set into the Baptistery doors of Florence. In the first, the young Ghiberti presents himself as a man of the workshop, the turban of a goldsmith shielding him from dust, heat, and noise, while in his later portrait he appears as a thinker who had mastered perspective and his knowledge of classical antiquity, as reflected in his reliefs.

This workshop introduces students to the essential principles and practices of painting the figure with a chromatic palette. Through a combination of lectures, demonstrations, and hands-on exercises, students will gain a deeper understanding of how to observe, interpret, and utilize color/value relationships to reflect the lighting, the complexion of the model and the environment accurately.

While the skill and knowledge gained in this workshop can lead to a more refined way of "finishing" a painting, the goal of this workshop is not in learning to develop a painting to a higher finish but to gain knowledge and familiarity of one's palette and its utilization. An open mind and willingness to experiment with paint application and color mixing are essential to putting the theories and principles introduced during the workshop to practice.