The workshop starts with a lecture and demonstration Friday evening at The Atelier to discuss materials, gear, and process. Attendees will then paint twice a day, Saturday and Sunday mornings and afternoons. Richard Lack once said that if you want to learn about color you paint outside. Focus will be on recognizing the values that capture the light in a scene and the way colors recede into distance. Composition will also be discussed as well as practical tips for working quickly.

Friday evening will be at The Atelier for a lecture, demonstration and Q&A. Saturday and Sunday will be two 3-hour sessions each day: 8:30am to 11:30am and 1:30pm to 4:30pm.

Friday, 6:30pm–9:30pm, Saturday & Sunday, 8:30am–4:30pm

Start your child drawing at The Atelier Studio Program of Fine Arts where they will learn methods for seeing and drawing with information our adult students learn! This program, specially designed for children, moves them through steps to learn how to draw realistically, starting with cartoon characters and progressing to more complex illustrations. This course can be continued just as our adult classes, with students working at their own pace to improve their skills. The use of markers, colored pencils, and paint will be introduced as well as working from a still life. LIMIT 10 children.

Materials: see supply list on website

Start your child drawing at The Atelier Studio Program of Fine Arts where they will learn methods for seeing and drawing with information our adult students learn! This program, specially designed for children, moves them through steps to learn how to draw realistically, starting with cartoon characters and progressing to more complex illustrations. This course can be continued just as our adult classes, with students working at their own pace to improve their skills. The use of markers, colored pencils, and paint will be introduced as well as working from a still life. LIMIT 8 children.

Materials: see supply list on website

Students begin by drawing a plaster cast in charcoal, developing their ability to render accurate proportions and value relationships. After students finish a charcoal cast drawing, they are introduced to the fundamentals of oil techniques in grisaille, paint handling, and modeling form. Once this has been achieved, students may progress to still-life painting in oil, working on values, color relationships and composition.

Students begin by drawing a plaster cast in charcoal, developing their ability to render accurate proportions and value relationships. After students finish a charcoal cast drawing, they are introduced to the fundamentals of oil techniques in grisaille, paint handling, and modeling form. Once this has been achieved, students may progress to still-life painting in oil, working on values, color relationships and composition.

There is something timeless about the style of the Golden Age of Illustration - Beatrix Potter, Jessie Wilcox Smith - that feels both nostalgic and incredibly skillful. Inspired by the timeless charm of classic children's illustrators, this course teaches students how to transform personal memories into works of art. Using their own photos, students will learn the foundational techniques required to create soulful, accurate portraits and scenes.

• classical drawing: mastermind proportions and seeing like an artist
• the painter's palette: advanced color mixing and wash techniques
• depth and dimension: understanding light, shadow, and value to make drawings "pop"

Life drawing is at the core of any serious program of fine arts. In these classes, students draw from the figure in pencil, charcoal, including an option of painting. Each drawing or painting is created over a period of sessions, developing the student’s eye for accurate gesture, proportions, and anatomy. With a single sustained pose, students will have the option of either taking one drawing/painting to a high degree of finish or completing several drawings from different positions around the model.

In this 9-week course, you will complete one or multiple paintings using a photo reference of your choice. We will discuss how to use classical painting techniques and principles to produce quality results in situations when working from life is not possible. Topics will include: selecting reference material, composition, paint handling, color, as well as any questions that you bring to the class! We will also outline strategies for finishing paintings within an established time frame, including the option for faster one- or two-day projects. Students will bring their own painting supplies in oil, acrylic, or gauche, as well as a quality printed reference photo. All experience levels are welcome!