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The Atelier Studio Program of Fine Arts



Our Classes

Portrait: Tuesday Evenings

$285

with Hannah Wehling

Calendar May 21, 2024 at 7 pm, runs for 10 weeks

Students will work from a live model in order to produce finished drawings and/or paintings. Students will work in pencil, charcoal, pastels or oils. Capturing a likeness is emphasized. Color and techniques in oil and pastel are covered.

Basic Drawing & Painting: Wednesday Mornings

$255

with Kenneth Schweiger

Calendar May 22, 2024 at 10 am, runs for 10 weeks

Students begin by drawing a plaster cast or still life in charcoal, developing their ability to render accurate proportions and value relationships. As students progress, they are introduced to the fundamentals of oil and/or pastel techniques, composition and color.

Basic Drawing & Painting: Wednesday Afternoons

$255

with Jeff Limke

Calendar May 22, 2024 at 1 pm, runs for 10 weeks

Students begin by drawing a plaster cast or still life in charcoal, developing their ability to render accurate proportions and value relationships. As students progress, they are introduced to the fundamentals of oil and/or pastel techniques, composition and color.

Life Drawing & Painting: Wednesday Afternoons

$285

with Kenneth Schweiger

Calendar May 22, 2024 at 1:30 pm, runs for 10 weeks

Life drawing is at the core of any serious program of fine arts. In these classes, students draw from the figure in pencil, charcoal, including an option of painting. Each drawing or painting is created over a period of sessions, developing the student’s eye for accurate gesture, proportions, and anatomy. With a single sustained pose, students will have the option of either taking one drawing/painting to a high degree of finish or completing several drawings from different positions around the model.

Life Drawing & Painting: Wednesday Evenings

$285

with Bridget Ertelt

Calendar May 22, 2024 at 7 pm, runs for 10 weeks

Life drawing is at the core of any serious program of fine arts. In these classes, students draw from the figure in pencil, charcoal, including an option of painting. Each drawing or painting is created over a period of sessions, developing the student’s eye for accurate gesture, proportions, and anatomy. With a single sustained pose, students will have the option of either taking one drawing/painting to a high degree of finish or completing several drawings from different positions around the model.

Basic Drawing & Painting: Wednesday Evenings

$255

with Brian Lewis

Calendar May 22, 2024 at 7:30 pm, runs for 10 weeks

Students begin by drawing a plaster cast or still life in charcoal, developing their ability to render accurate proportions and value relationships. As students progress, they are introduced to the fundamentals of oil and/or pastel techniques, composition and color.

Life Drawing & Painting: Thursday Afternoons

$285

with Cyd Wicker

Calendar May 23, 2024 at 1:30 pm, runs for 10 weeks

Life drawing is at the core of any serious program of fine arts. In these classes, students draw from the figure in pencil, charcoal, including an option of painting. Each drawing or painting is created over a period of sessions, developing the student’s eye for accurate gesture, proportions, and anatomy. With a single sustained pose, students will have the option of either taking one drawing/painting to a high degree of finish or completing several drawings from different positions around the model.

Composition

$255

with Christine Mitzuk

Calendar May 23, 2024 at 4 pm, runs for 10 weeks

Hybrid Class (Students may attend in-person or via Zoom.)

Do your pictures fall flat or look jumbled? Do you find it tricky to figure out what to put where? Sounds like you need pictorial composition tools! In this class we'll explore a variety of tools: the elements and principles of picture composition, visual hierarchy, intent, Notan and value design, and color. You'll learn by doing and experimenting with sketches. We'll also analyze pictures to see what tools the artists used and we'll break compositions to see what happens when pictorial elements are altered. And what's the big deal with tangents, anyway? Are they “bad”? There will be recommended homework.





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