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L'Écorché (The Flayed)
with James Shoop
Using a 21-inch skeletal armature, you will apply clay muscles to match the grey anatomical cast. Each muscle is applied in the order which is indicated on three lists provided.
List 1: the lower and upper leg.
List 2: the torso, upper arm, lower arm and the hand.
List 3: the neck and head.
The lists were designed to be used in conjunction with the anatomy book Anatomy for Artists by Eliot Goldfinger.
This class is an excellent study for the artist who is inspired by the human form. Each student will apply clay to the bone-tinted armature to gain a complete understanding of the relationship between muscle and bone. You will also learn important skeleton landmarks as well as the origin and insertions of the muscles and tendons. The finished sculpture will look like the clay muscle image.
Resin skeletal armature provided and included in the price of the class.
Additional materials required: Two 2-pound blocks of Chavant NSP Medium brown clay, $26. Chavant clay can be also be purchased online.
Basic Drawing Workshop
with Kenneth Schweiger
Experience our full-time program in a week-long workshop.
Students begin by drawing a plaster cast or still life in charcoal, developing their ability to render accurate proportions and value relationships. As students progress, they are introduced to the fundamentals of oil and/or pastel techniques, composition and color.
Life Drawing Workshop
with Laura Tundel
Experience our full-time program in a week-long workshop.
Life drawing is at the core of any serious program of fine arts. In the class, students draw from the figure in pencil. Each drawing is created over a period of several sessions, developing the student's eye for accurate proportions, gesture and anatomy.
DIY Framing for Artists
with Joy Wolfe
This class includes a lecture and hands-on workshop. Joy’s lecture will discuss how to present your art professionally on an artist’s budget, designing an efficient workspace, and the basic tools of the trade needed to repurpose and craft beautiful one-of-a-kind frames. She will give a demonstration on constructing a frame, glass cutting, and assembling a framed piece of art with basic framing tools. You will walk away with a list of tools and knowledge to create your own winning combinations.
Drawing & Painting for Young Beginners, Ages 9-18
with Lauri Meyer
Ages: 9 - 18
Start your child drawing at The Atelier Studio Program of Fine Arts where they will learn methods for seeing and drawing with information our adult students learn! This program, specially designed for children, moves them through steps to learn how to draw realistically, starting with cartoon characters and progressing to more complex illustrations. This course can be continued just as our adult classes, with students working at their own pace to improve their skills. The use of markers, colored pencils, and paint will be introduced as well as working from a still life. LIMIT 10 children.
Materials: see supply list on website
Drawing & Painting for Young Beginners, Ages 7-10
with Lauri Meyer
Ages: 7 - 10
Start your child drawing at The Atelier Studio Program of Fine Arts where they will learn methods for seeing and drawing with information our adult students learn! This program, specially designed for children, moves them through steps to learn how to draw realistically, starting with cartoon characters and progressing to more complex illustrations. This course can be continued just as our adult classes, with students working at their own pace to improve their skills. The use of markers, colored pencils, and paint will be introduced as well as working from a still life. LIMIT 8 children.
Materials: see supply list on website
Artificial Lighting for Painting
with David Ginsberg
This two-day workshop includes a lecture and demonstration on the use of controlled lighting for a consistent light source resembling natural light. The hands-on portion of the workshop will be a day and a half of working together on still-life setups using various artificial lighting techniques. We will go through a series of steps that will demonstrate some of the various lighting options, as well as using light and shadow as part of the compositional element. Once a satisfactory setup has been established with both the still life and the lighting, participants will be given the option to paint a color sketch of the still life from their setup or continue by working with different light and or setups. If painting, this will enable you to work through the process of painting with and from artificial light.
Artificial Lighting for Painting: Lecture/Demo Only
with David Ginsberg
Lecture and demonstration on the use of controlled lighting for a consistent light source resembling natural light.